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projects

WOMEN2003

WOMEN2003

Billboard Project

In the spring of 2003 a different image type of women than the usual, stereotypical advertising images created at the intersection of advertising and pornography, could be seen on the periphery of the city.

For a period of two weeks, 100 female artists from all around Scandinavia showed their photographic works on 100 billboards at intersections, motorway exits, railway stations, and in the city’s many underground car parks. Billboards have monumental and great visibility in public space, and were therefore the ideal medium for a project which aimed to establish new experiences in the interaction of women and space. The underlying aim of the project WOMEN2003 was to draw a more diverse and nuanced picture of women in public space, and in this way take up a direct and confrontational dialogue with advertising’s predictable depiction of women.

The point of departure for all the participants was the billboard format 333 x 236 cm and the use of photography.

The complexity of the city and its constantly changing atmospheres were likewise important impulses for the project, and shaped, so to speak, an overarching choreography for WOMEN2003, in which the placement of the individual images played an important role.

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projects

ENRICHETTA BANDIERINI, 2003

ENRICHETTA BANDIERINI, 2003

Installation

In october 2000 my italian nanny Enrichetta Bandierini, passed away. This exhibition at Galleri Leonardi V-idea in Genova, the city where she as a 16 year old girl worked in a factory, is a final greeting to her.

 

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news projects

URBAN RIDE, 2002

URBAN RIDE, 2002

Billboard Project

10 billboards with motives from The Tube, London. The project was shown at  Nørreport Station, platform 3, June 4, 2002.

Collaboration with Per Kragh-Müller.

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projects

TRANSITION, 2002

TRANSITION, 2002

Photographic installation

TRANSITION was composed of 12 monumental portraits of women aged 50-60, hung on the ground floor, as well as the four story high glass tower of the former Daells Varehus (Daell’s Department Store) on the corner of Krystalgade and Fiolstræde streets in the centre of Copenhagen. Because each of the portraits was printed on transparent foil, the women appeared to be fleeting mirror-images that took on the space of the city and thus defied the usual invisibility of women in this phase of life.

The installation also consisted of 60 fluorescent tubes which contributed to the project’s urban monumentality, in which the tower in particular appeared, at a distance, as a kind of glowing landmark in an otherwise blacked out street.

The building and the space, centrally positioned in the urban context, were in this way temporarily transformed into an exhibition space.